New work by Jo Underhill

Jo Underhill is an avid painter inspired by nature and colour. She majored in painting when completing her BA Fine Art with Honours at the Queensland College of Art and has returned from an 8 year stint in London to bring her practice to Brisbane. Inspired by the eccentricities of nature with a strong emphasis on drawing, colour and mark making, the imagery in Jo’s work is a hybridised synthesis of ideas, forms, shapes and textures taken from memory, found objects, and dreams.

Often playing with the notion of the micro and macrocosm enables an emphasis on parts of nature, that are either overlooked or too small to see, as in microscopic organisms. These paintings are generally rendered in inks, acrylic and oils on canvas or paper but not exclusively.

Jo says her “approach to working is intuitive, spontaneous and often guided by the materials themselves. Images for me emerge and are born rather than prescribed and pre-defined. This process is very meditative and allows imagery in the sub-conscious mind to float to the surface and manifest itself on the canvas. This way of working also means that I am constantly exploring and experimenting with the materials themselves as a path to image-making as I work to pull form from chaos to find the essence of an image, idea or form.”

You can see more of Jo’s work here…

Archival – what does it mean?

Artists and photographers always ask me… “How long will my print last?” The honest answer is “I don’t know!” We then go on to talk about why I don’t know. It’s not that I don’t care, or haven’t tried to find out, it’s simply that the life expectancy of anything, be it a print I make, or an original the artist creates, is beyond our control once it leaves our hands, regardless of how well we’ve prepared it.

It’s like asking “How long will my new car last?” You pay a heck of a lot more for a car than an art reproduction but have you ever asked the car salesman that question? What sort of answer do you think you would get? What factors determine how long a car will last? Many of those same factors affect your print.

Archival; archivally sound – A non-technical term that suggests that a material or product is permanent, durable, or chemically stable, and that it can therefore safely be used for preservation purposes. the phrase is not quantifiable; no standards exist that describe how long an “archival” or “archivally sound” material will last.

Organizations like the Wilhelm Research Institute attempt to address this issue by strenuous and controlled testing of various combinations of printers, inks and papers. [Read more...]

Redlands Yurara Art Society

I spent a few hours on Wednesday with some artists from the Redlands Yurara Art Society at Thornlands, Queensland. We had a great chat about art reproductions, photographing original art and how we can help the gallery make more sales.

We had a good chat about artists photographing their own artwork, the advantages and disadvantages of doing so. Some of the group are quite happy to photograph their own artwork for web use and to print their own postcards. Most cameras, in the right hands will handle this task reasonably well. The limits of even the best digital cameras start to appear in any print bigger than A3. As important as the camera and the photographer’s skills are the way in which the file is captured and handled in Photoshop or similar programs. There are so many variables that can affect the quality of the end result.

I gave away a few little tips on photographing artwork and dealing with the files so hopefully that will make life a bit easier for those that are doing their own. For the ones who crave something better, I’m sure we’ll see them in here soon with their originals. I can’t wait to see the look on their faces when they see their art reproduced to the highest possible standard – I love that look!

I look forward to working with Gloria and the others in the future.

Signing you life away

Your signature is an important part of your original artwork. Applying your signature signifies that the artwork is complete and ready for sale. Your signature is a reflection of you.Is your signature recognisable?

Sometimes it’s difficult to read the name on an artwork and that doesn’t help you any if you want people to recognise your name. Signing your artwork is not like signing a cheque or legal document – it is one more facet of your artistic creativity that helps people recognise your work amongst others. Remember that there are more people out there in the world that have no clue who you are than those that do – sign your name so people can read it. If you have a signature that is a bit difficult to decipher then be sure to put your name clearly on the back of the artwork so anybody can quickly see who produced the work.
[Read more...]